ORTHODOXIA IIStarting from the change of the regime, more than 7000 Orthodox churches were built in Romania. This means that during twenty-seven years every second day a church was handed over, and constructions are still happening. The link between the church and government is evident. As a consequence, the link between Romanian national identity and Orthodoxy is obvious as well. In the series I analyze the connection between the territorial spreading of the churches and the notions of Romanian and Orthodox.
Antal was born in Cluj-Napoca, Romania from where he moved to Budapest because of the lack of professional opportunities. In Budapest he graduated from Moholy-Nagy University of Art and Design, finishing his studies in photography. He also had the chance to study in Paris at the School of Images Gobelins.
During his photography which has spanned more than ten years, he has experimented with numerous genres. The first years were spent searching for his own path, but for the last 2-3 years, it seems that he has found his way. My interest revolves around social issues and social phenomena, mostly based on the current situation in Romania. While he focuses on one specific country and cultural background, he is certain that it might appeal to a more universal context as well. In his new series, he was engaged in questions regarding Romanian national identity, religion, collective memory, and also some aspects of cultural and social homogeneity. “What I consider essential in my work is that I leave questions open offering the beholder multi-perspectivity in interpretation, my aim being to reject any kind of polarization.”
Photography for Antal functions as a means of research, through which he finds new challenges. He believes there is beauty in the way he relays his questions through his work promoting his audience to ask their own. Photography is about sharing impulses, impressions, thoughts and questions in an open format.